{"id":1350,"date":"2022-03-11T17:32:44","date_gmt":"2022-03-11T16:32:44","guid":{"rendered":"https:\/\/cie-nacerabelaza.com\/media-library\/"},"modified":"2023-06-09T10:07:52","modified_gmt":"2023-06-09T08:07:52","slug":"media-library","status":"publish","type":"page","link":"https:\/\/cie-nacerabelaza.com\/en\/media-library\/","title":{"rendered":"Media library"},"content":{"rendered":"

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L’Onde at Basilique Cath\u00e9drale Saint-Denis<\/span><\/h3>[vc_column_text text_style=”small-text”]For thirty years, Nacera Belaza’s artistic path has been nourished by fragile balances, by the tenuous, by the shifting border between light and shadow, by the body that appears and disappears, by the movement that is tirelessly repeated to dig furrows and open gaps in intimate perceptions. Nacera has invited film-makers to take a unique look at her work, which is at once resolutely non-spectacular and cinematographic, playing with light, image and perception. After B\u00e9atrice Vernhes (2016) and Vincent Moon on L’Envol (2022), Julien Oska Colardelle films L’Onde under the lights of the stained glass windows of the Basilique Saint-Denis.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ rc_bg_type=”color” rc_bg_color=”#ffffff”]
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L’Envol, a film by Vincent Moon<\/span><\/h3>[vc_column_text text_style=”small-text”]He films the invisible, the dizzy, the sensations, and transforms the filmed field into an extension of the danced space where everything seems to be played out between the performer and the spectator. Travelling filmmaker Vincent Moon takes a cinematic look at the choreographic material in Nacera Belaza’s new creation, L’Envol (2022).[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row padding_bottom_multiplier=”2x” columns_gap=”50″ equal_column_height=”equal” mobile_columns_vertical_gap=”50″][vc_column width=”1\/2″ rc_bg_type=”color” rc_bg_color=”#ffffff”]
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ADN Dance Living LAB<\/span><\/h3>[vc_column_text text_style=”small-text”]A film by Vincent Moon, inspired by the collaboration between choreographer Nacera Belaza and philosopher Etienne Klein. Public presentations on 4 and 5 November 2021 on the stage of the Salle Firmin G\u00e9mier at Chaillot – Th\u00e9\u00e2tre national de la Danse.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″ rc_bg_type=”color” rc_bg_color=”#ffffff”]
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Temps fort at the MC93<\/span><\/h3>[vc_column_text text_style=”small-text”]Directed by Margaux Vendassi. The performances presented, the research workshop on traditional dances, the Procession in Bobigny. Project supported by the SACD as part of the DUO(s) Programme.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][\/vc_section][vc_section el_id=”presse”][vc_row][vc_column]

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Villa Albertine, February 2022<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1652364860057{padding-bottom: 15px !important;}”]Nacera Belaza: “I am always looking for a form of the unknown”, interview by Raphael Bourgeois[\/vc_column_text]
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Le Programme, February 2022<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1652365113895{padding-bottom: 15px !important;}”]New sensitivity to dance and space, collected by Bertrand Tappolet[\/vc_column_text]
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Publications \/ Bibliography<\/span><\/h5>[vc_column_text text_style=”small-text”]<\/p>\n