{"id":1371,"date":"2022-05-12T15:15:58","date_gmt":"2022-05-12T13:15:58","guid":{"rendered":"https:\/\/cie-nacerabelaza.com\/residencies-and-sharing\/hors-champ-creations-in-situ\/"},"modified":"2022-06-16T15:03:13","modified_gmt":"2022-06-16T13:03:13","slug":"hors-champ-creations-in-situ","status":"publish","type":"page","link":"https:\/\/cie-nacerabelaza.com\/en\/residencies-and-sharing\/hors-champ-creations-in-situ\/","title":{"rendered":"Hors-champ &#8211; cr\u00e9ations in-situ"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;2x&#8221; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221;][vc_column]<h1 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Hors-champ &#8211; cr\u00e9ations in-situ<\/span><\/h1>[vc_column_text]With the Hors-Champ project, new choreographic performance systems are explored. Getting out of the black box where free or choreographed forms are proposed in unusual performance spaces: museums, galleries, public spaces, heritage sites&#8230; These hybrid and singular creations are unique pieces, imagined in-situ, adapting to specific sound, light and architectural contexts.<\/p>\n<p>It is about bringing the body into other spaces of reflection and practice. Institutions such as the Museum of Modern Art in Algiers, the gardens of the Ch\u00e2teau de Versailles, the Mus\u00e9e des Confluences in Lyon, and the Pantheon in Paris have hosted these performances.[\/vc_column_text][\/vc_column][\/vc_row][vc_row padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;2x&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1652361466019{padding-bottom: 15px !important;}&#8221;]<em>Whether one is in line in the procession, or in a circle, which obviously evokes the home, a group is formed sharing the same space, the same attention and the same movement. A commonality of space, experience and action is thus outlined, which is called a community. Certainly embryonic and very fragile: everyone is faced with the choice of participating or not, or of watching, of letting go or of taking up this place in the group at any time. This collective belonging, this being in common, the fantasy of the unity of many, is here both a means and the very form of the intervention. The procession as a collective movement participates in it and draws a horizon, if not a utopia a minima, the event being the presence to oneself at the same time as the sharing with others, what is played out in this elective and momentary community gathered in the same action. In fact, according to her, this relates to &#8220;the question of the collective and its relationship to unity. This question of unity is central to my work. The connected segments generate a unitary whole whose parts remain autonomous, as does the relationship of the individual to the group.&#8221;<\/em>[\/vc_column_text][vc_column_text]<\/p>\n<p style=\"text-align: right;\"><strong>Interview by Nicolas Feodoroff<\/strong><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row padding_top_multiplier=&#8221;2x&#8221; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221;][vc_column]<h3 class=\"grve-element grve-title grve-align-inherit grve-h3\"><span>Hors-champ performances<\/span><\/h3><h3 class=\"grve-element grve-title grve-align-inherit grve-subtitle-text\"><span>La procession<\/span><\/h3>[vc_column_text css=&#8221;.vc_custom_1652361355955{padding-bottom: 15px !important;}&#8221;]<strong>2022<\/strong> Festival Montpellier Danse<br \/>\n<strong>2021<\/strong> Casa da Almada, Lisbonne<br \/>\n<strong>2020<\/strong> Danspace Project, New York<br \/>\n<strong>2019<\/strong> MC93 &#8211; Bobigny<br \/>\n<strong>2018<\/strong> Mus\u00e9e des Confluences, Lyon<br \/>\n<strong>2017<\/strong> Dream City, Tunis<br \/>\n<strong>2017<\/strong> Monuments en mouvement, Panth\u00e9on, Paris<br \/>\n<strong>2017<\/strong> Festival de Marseille<br \/>\n<strong>2016<\/strong> Biennale Danza, Venise<br \/>\n<strong>2015<\/strong> MuCEM &#8211; Mus\u00e9e des civilisations de l&#8217;Europe et de la M\u00e9diterran\u00e9e, Marseille[\/vc_column_text]<h3 class=\"grve-element grve-title grve-align-inherit grve-subtitle-text\"><span>Le Cri<\/span><\/h3>[vc_column_text css=&#8221;.vc_custom_1652361644049{padding-bottom: 15px !important;}&#8221;]<strong>2016<\/strong> Monuments en mouvement, Clo\u00eetre de la Psalette, Tours<br \/>\n<strong>2012<\/strong> Mus\u00e9e d\u2019Art Moderne d\u2019Alger[\/vc_column_text]<h3 class=\"grve-element grve-title grve-align-inherit grve-subtitle-text\"><span>Le Trait<\/span><\/h3>[vc_column_text css=&#8221;.vc_custom_1652361674566{padding-bottom: 15px !important;}&#8221;]<strong>2014<\/strong> Happ&#8217;art, Honk Kong<br \/>\n<strong>2012<\/strong> Mus\u00e9e d\u2019Art Moderne d\u2019Alger[\/vc_column_text]<h3 class=\"grve-element grve-title grve-align-inherit grve-subtitle-text\"><span>Les Sentinelles<\/span><\/h3>[vc_column_text css=&#8221;.vc_custom_1652603590387{padding-bottom: 15px !important;}&#8221;]<strong>2012<\/strong> Festival Plastique Danse Flore, Le Potager du Roi, Ch\u00e2teau de Versailles[\/vc_column_text][\/vc_column][\/vc_row][vc_row padding_bottom_multiplier=&#8221;2x&#8221; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221;][vc_column]<div class=\"grve-element grve-image grve-align-center grve-image-space-100 grve-image-expand-width\" style=\"margin-bottom: 5px;\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"><div class=\"grve-thumbnail\"  style=\"padding-top: 75%;\"><img loading=\"lazy\" decoding=\"async\" width=\"560\" height=\"420\" src=\"https:\/\/cie-nacerabelaza.com\/wp-content\/uploads\/2022\/06\/Hors-champ-\u00a9Collectif12-560x420.jpg\" class=\"attachment-impeka-grve-small-rect-horizontal size-impeka-grve-small-rect-horizontal\" alt=\"Hors-champ \u00a9Collectif12\" data-column-space=\"100\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/cie-nacerabelaza.com\/wp-content\/uploads\/2022\/06\/Hors-champ-\u00a9Collectif12-560x420.jpg 560w, https:\/\/cie-nacerabelaza.com\/wp-content\/uploads\/2022\/06\/Hors-champ-\u00a9Collectif12-900x675.jpg 900w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[vc_column_text text_style=&#8221;small-text&#8221;]\u00a9 Collectif 12[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_bg_type=&#8221;color&#8221; mobile_columns_vertical_gap=&#8221;none&#8221;][vc_column]<div class=\"grve-element grve-align-center\" style=\"margin-bottom: 5px;\"><a href=\"https:\/\/cie-nacerabelaza.com\/en\/residencies-and-sharing\/\" title=\"Residencies and sharing\" class=\"grve-btn-text grve-btn-line grve-line-bottom-advanced grve-text-black grve-text-hover-black grve-btn-medium\">\r\n\t\t<div class=\"grve-btn-inner\">\r\n\t\t<span>Residencies and sharing<\/span>\r\n\t\t\t<span class=\"grve-line grve-bg-black\"><\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;2x&#8221; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221;][vc_column][vc_column_text]With the Hors-Champ project, new choreographic performance systems are explored. Getting out of the black box where free or choreographed forms are proposed in unusual performance spaces: museums, galleries, public spaces, heritage sites&#8230; These hybrid and singular creations are unique pieces, imagined in-situ, adapting to specific sound, light and architectural contexts. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1365,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1371","page","type-page","status-publish","hentry","grve-entry-item"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hors-champ - cr\u00e9ations in-situ - Compagnie Nacera Belaza<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cie-nacerabelaza.com\/en\/residencies-and-sharing\/hors-champ-creations-in-situ\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hors-champ - cr\u00e9ations in-situ - Compagnie Nacera Belaza\" \/>\n<meta property=\"og:description\" content=\"[vc_row padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;2x&#8221; rc_bg_type=&#8221;color&#8221; rc_bg_color=&#8221;#ffffff&#8221;][vc_column][vc_column_text]With the Hors-Champ project, new choreographic performance systems are explored. Getting out of the black box where free or choreographed forms are proposed in unusual performance spaces: museums, galleries, public spaces, heritage sites&#8230; These hybrid and singular creations are unique pieces, imagined in-situ, adapting to specific sound, light and architectural contexts. 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