{"id":1377,"date":"2022-03-18T15:47:57","date_gmt":"2022-03-18T14:47:57","guid":{"rendered":"https:\/\/cie-nacerabelaza.com\/portfolio-item\/lenvol\/"},"modified":"2023-06-09T09:40:23","modified_gmt":"2023-06-09T07:40:23","slug":"lenvol","status":"publish","type":"portfolio","link":"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/lenvol\/","title":{"rendered":"L’Envol"},"content":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1648828998119{padding-bottom: 15px !important;}”]“At the beginning of each creation, there is an unrealized image. This inner landscape allows the choreographer to create a material that she then evaporates to reveal an outline of the void, “this unexpected void that fulfils all our expectations”. On stage, with other performers, Nacera Belaza searches for the paths that will lead each of us to the abandonment of fears and resistances, to the renunciation of the body and of all knowledge, to the acceptance of failure as liberating. Proceeding by subtraction, she signs pure pieces for which she composes the choreographic, sound and light scores. Like tuning an instrument, the artist harmonises those who dance and those who watch, the perceptible and the imperceptible, to the same frequency. Following <\/em>L\u2019Onde, presented at the Festival d’Automne in Paris in 2020, Nacera Belaza is, with this creation, at the very place where her research has always led her, where the unmanageable brings about the unforeseeable, another possibility.”<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

M\u00e9lanie Jouen for the Festival d’Automne in Paris, March 2022<\/strong><\/p>\n

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Artistic team<\/span><\/h3>[vc_column_text css=”.vc_custom_1653396871518{padding-bottom: 32px !important;}”]Choreography, sound and light design<\/strong> Nacera Belaza
\nInterpretation<\/strong> Paulin Banc, Nacera Belaza, Aur\u00e9lie Berland, Mohammed Ech Charquaouy
\nStage management<\/strong> Christophe Renaud[\/vc_column_text]

Creation<\/span><\/h3>[vc_column_text css=”.vc_custom_1648220014191{padding-bottom: 10px !important;}”]Montpellier Dance Festival, 28 June 2022[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_type=”fullwidth”][vc_column]
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Production<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1647616568693{padding-bottom: 15px !important;}”]Nacera Belaza Company[\/vc_column_text]

Coproduction<\/span><\/h3>[vc_column_text text_style=”small-text”]Montpellier Dance Festival
\nMC93 – Maison de la Culture de Seine Saint-Denis
\nThe Paris Festival d’Automne
\ndeSingel, Campus International des Arts
\nPoints-communs, nouvelle sc\u00e8ne nationale de Cergy \/ Val d\u2019Oise
\nTheater Freiburg[\/vc_column_text][\/vc_column][vc_column width=”1\/2″]

As part of the Acceuil Studio<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1648823923987{padding-bottom: 15px !important;}”]CCN Ballet de Lorraine
\nCCN2 Centre chor\u00e9graphique national de Grenoble
\nCndc – Angers[\/vc_column_text]

Support<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1648823919992{padding-bottom: 15px !important;}”]Transfabrik Fund, Franco-German fund for the performing arts
\nKing\u2019s Fountain
\nVilla Albertine
\nIle-de-France Region, as part of the creation aid scheme
\nMinist\u00e8re de la Culture et de la Communication DRAC Ile-de-France as a subsidised company
\nMC93 Bobigny
\nParc des Ateliers, LUMA Arles
\nAtelier de Paris \/ CDCN[\/vc_column_text][vc_column_text text_style=”small-text”]\u00a9 Photo<\/strong> Laurent Philippe[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_heading_color=”white” rc_link_color=”white” rc_link_hover_color=”primary-1″ rc_bg_type=”color” mobile_columns_vertical_gap=”none” rc_bg_color=”#000000″ rc_font_color=”#ffffff”][vc_column][vc_row_inner columns_gap=”none” equal_column_height=”equal” mobile_columns_vertical_gap=”none”][vc_column_inner width=”1\/3″ vertical_content_position=”middle” animation_delay=”200″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283152005“}}”]
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\r\n\t\tNext<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text]Les Sentinelles.2<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1648828998119{padding-bottom: 15px !important;}”]“At the beginning of each creation, there is an unrealized image. This inner landscape allows the choreographer to create a material that she then evaporates to reveal an outline of the void, “this unexpected void that fulfils all our expectations”. On stage, with other performers, Nacera Belaza […]<\/p>\n","protected":false},"author":1,"featured_media":1663,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"portfolio_category":[],"portfolio_field":[],"class_list":["post-1377","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","grve-entry-item"],"yoast_head":"\nL'Envol - Compagnie Nacera Belaza<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/lenvol\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'Envol - Compagnie Nacera Belaza\" \/>\n<meta property=\"og:description\" content=\"[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1648828998119{padding-bottom: 15px !important;}”]“At the beginning of each creation, there is an unrealized image. 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