{"id":1378,"date":"2022-03-13T15:46:16","date_gmt":"2022-03-13T14:46:16","guid":{"rendered":"https:\/\/cie-nacerabelaza.com\/portfolio-item\/londe\/"},"modified":"2022-08-30T17:18:06","modified_gmt":"2022-08-30T15:18:06","slug":"londe","status":"publish","type":"portfolio","link":"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/londe\/","title":{"rendered":"L’Onde"},"content":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1648829035723{padding-bottom: 15px !important;}”]“Nacera Belaza tackles head-on the question of ritual that has permeated all of her previous works. […] Essential notions such as unity, being and its relationship to infinite space and time, the letting go at the origin of the surpassing of oneself, are put back into play, in the light of the universal pulsation founding these ancient practices.”<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

Smaranda Olc\u00e8se-Trifan<\/strong><\/p>\n

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Note of intent<\/span><\/h5>[vc_column_text css=”.vc_custom_1648829093894{padding-bottom: 15px !important;}”]“I feel that my entire career is like a straight line. Each of my pieces is a milestone on a straight path, without deviation. When you deviate, you know it, you feel it. It seems to me that the artist must oppose this with all his strength. The line that connects two points is necessarily taut, without respite. One and the same intention that one repeats tirelessly, and it is on oneself that one is actually working.”<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

Nacera Belaza<\/strong><\/p>\n

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Artistic team<\/span><\/h3>[vc_column_text css=”.vc_custom_1647615972601{padding-bottom: 32px !important;}”]Choreography, sound and light design<\/strong> Nacera Belaza
\nInterpretation<\/strong> Nacera Belaza, Aur\u00e9lie Berland, Paulin Banc, Magdalena Hylak, Mohammed Ech Charquaouy
\nStage management<\/strong> Christophe Renaud[\/vc_column_text]

Creation<\/span><\/h3>[vc_column_text css=”.vc_custom_1657825714273{padding-bottom: 10px !important;}”]Festival de Marseille 2020 \/ Kunstenfestivaldesarts 2021[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_type=”fullwidth”][vc_column]
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\"onde-nacera-velaza\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[\/vc_column][\/vc_row][vc_row padding_top_multiplier=”2x”][vc_column][vc_column_text text_style=”small-text” css=”.vc_custom_1649263780480{padding-bottom: 5px !important;}”]L’Onde, teaser 2021
\n\u00a9 Video<\/strong> Corinne Dard\u00e9[\/vc_column_text]
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Production<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1647616438313{padding-bottom: 15px !important;}”]Nacera Belaza Company[\/vc_column_text]

Coproduction<\/span><\/h3>[vc_column_text text_style=”small-text”]Kunstenfestivaldesarts \/ Charleroi danse, centre chor\u00e9graphique de Wallonie-Bruxelles
\nFestival de Marseille
\ndeSingel, Campus International des Arts
\nMC93 Bobigny
\nLUMA Foundation
\nICI – Centre chor\u00e9graphique national Montpellier-Occitanie, directed by Christian Rizzo, as part of the research and creation residencies programme
\nL\u2019Arsenal Cit\u00e9 musicale Metz
\nAtelier de Paris \/ CDCN <\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″]

Support<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1647616410793{padding-bottom: 10px !important;}”]SACD as part of the duo programme
\nInstitut fran\u00e7ais – Ville de Paris
\nSPEDIDAM[\/vc_column_text][vc_column_text text_style=”small-text” css=”.vc_custom_1647616506393{padding-bottom: 10px !important;}”]Provision of a set<\/strong> Points-communs, nouvelle sc\u00e8ne nationale de Cergy\/Val d\u2019Oise.[\/vc_column_text][vc_column_text text_style=”small-text”]The company has benefited from the support and residency of the LUMA Arles foundation, as well as the support of the Ile-de-France region, as part of the creation aid scheme.[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_heading_color=”white” rc_link_color=”white” rc_link_hover_color=”primary-1″ rc_bg_type=”color” mobile_columns_vertical_gap=”none” rc_bg_color=”#000000″ rc_font_color=”#ffffff”][vc_column][vc_row_inner columns_gap=”none” equal_column_height=”equal” mobile_columns_vertical_gap=”none”][vc_column_inner width=”1\/3″ vertical_content_position=”middle” animation_delay=”200″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283152005“}}”]
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\r\n\t\tPrev.<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text]Le Cercle<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ vertical_content_position=”middle” text_align=”center” animation_delay=”300″ grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283169766“}}”]
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\r\n\t\tAll creations<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[\/vc_column_inner][vc_column_inner width=”1\/3″ vertical_content_position=”middle” text_align=”right” animation_delay=”400″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“class“:“grve-wpb-1648283172098“}}”]
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\r\n\t\tNext<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text]L\u2019Envol<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1648829035723{padding-bottom: 15px !important;}”]“Nacera Belaza tackles head-on the question of ritual that has permeated all of her previous works. […] Essential notions such as unity, being and its relationship to infinite space and time, the letting go at the origin of the surpassing of oneself, are put back into play, […]<\/p>\n","protected":false},"author":1,"featured_media":1166,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"portfolio_category":[],"portfolio_field":[],"class_list":["post-1378","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","grve-entry-item"],"yoast_head":"\nL'Onde - Compagnie Nacera Belaza<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/londe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L'Onde - Compagnie Nacera Belaza\" \/>\n<meta property=\"og:description\" content=\"[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1648829035723{padding-bottom: 15px !important;}”]“Nacera Belaza tackles head-on the question of ritual that has permeated all of her previous works. 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