{"id":1448,"date":"2021-05-05T09:23:58","date_gmt":"2021-05-05T07:23:58","guid":{"rendered":"https:\/\/cie-nacerabelaza.com\/portfolio-item\/le-pur-hasard\/"},"modified":"2022-05-30T11:24:16","modified_gmt":"2022-05-30T09:24:16","slug":"le-pur-hasard","status":"publish","type":"portfolio","link":"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/le-pur-hasard\/","title":{"rendered":"Le Pur Hasard"},"content":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1649143744829{padding-bottom: 15px !important;}”]“Nacera Belaza’s new creation, <\/em>Le Pur Hasard has all the qualities of this young choreographer: rigour, subtlety, concentration. […] Working with Algerian dancers led her to question her shared identity, and if <\/em>Paris-Alger (the play that resulted from this 2002 residency) was very interesting, <\/em>Le Pur Hasard is certainly the most successful form of this questioning. […] Neutrality, cold light. Silence. The first dancer enters the stage, stands with aplomb, takes several minutes to open her arms and then the same amount of time to roll over herself. Then when the man enters, he argues with the air, goes into a mad and pointless rage. And if the choreographer herself dances, it is with movements that seem irresolute, firmly committed but dissolving in the space, uncertain of their purpose. In the background, a video strives to show the chair, which is the only set, and sometimes the dancers who dance in images that echo their physical presence. […] The triple solitude is echoed in three, combining three emotions (resigned obstinacy, anger, irresolution) which are all reactions in a never-ending search for identity. A superb piece, as demanding for the audience as for the dancers.”<\/em>[\/vc_column_text][vc_column_text]<\/p>\n

Philippe V\u00e9rri\u00e8le, Solidentit\u00e9<\/strong><\/p>\n

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Artistic team<\/span><\/h3>[vc_column_text css=”.vc_custom_1649143799573{padding-bottom: 32px !important;}”]Choreography<\/strong> Nacera Belaza
\nPerformers <\/strong>Dalila Belaza, Nacera Belaza
\nLighting design<\/strong>Eric Soyer
\nSound and light management<\/strong>Christophe Renaud
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Creation<\/span><\/h3>[vc_column_text css=”.vc_custom_1649143122212{padding-bottom: 10px !important;}”]Centre National de la Danse[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_type=”fullwidth”][vc_column]
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Production<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1647189975418{padding-bottom: 15px !important;}”]Nacera Belaza Company[\/vc_column_text]

Coproduction<\/span><\/h3>[vc_column_text text_style=”small-text”]Centre national de la Danse – Pantin (creation in residency)
\nParc de la Villette – Artists’ residencies 2005
\nCentre chor\u00e9graphique national de Montpellier Languedoc-Roussillon, ReRc Programme (Research residency)
\nR\u00e9seau Escales with the support of the Conseil G\u00e9n\u00e9ral du Val d’Oise and the DRAC Ile-de-France
\nDanse Bassin M\u00e9diterran\u00e9e subsidised by the European Commission as part of the Culture 2000 programme[\/vc_column_text][\/vc_column][vc_column width=”1\/2″]

Accueil studio<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1649143890306{padding-bottom: 15px !important;}”]Ville de Paris
\nMicadanses[\/vc_column_text]

With the support of<\/span><\/h3>[vc_column_text text_style=”small-text” css=”.vc_custom_1649143904702{padding-bottom: 15px !important;}”]L’animal a l’esquena, Art and creation on stage – Girona, Barcelona French Institute[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_heading_color=”white” rc_link_color=”white” rc_link_hover_color=”primary-1″ rc_bg_type=”color” mobile_columns_vertical_gap=”none” rc_bg_color=”#000000″ rc_font_color=”#ffffff”][vc_column][vc_row_inner columns_gap=”none” equal_column_height=”equal” mobile_columns_vertical_gap=”none”][vc_column_inner width=”1\/3″ vertical_content_position=”middle” animation_delay=”200″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283152005“}}”]
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\r\n\t\tPrev.<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text]Paris-Alger<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ vertical_content_position=”middle” text_align=”center” animation_delay=”300″ grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283169766“}}”]
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\r\n\t\tAll creations<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[\/vc_column_inner][vc_column_inner width=”1\/3″ vertical_content_position=”middle” text_align=”right” animation_delay=”400″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“class“:“grve-wpb-1648283172098“}}”]
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\r\n\t\tNext<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text]Un an apr\u00e8s…<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1649143744829{padding-bottom: 15px !important;}”]“Nacera Belaza’s new creation, Le Pur Hasard has all the qualities of this young choreographer: rigour, subtlety, concentration. […] Working with Algerian dancers led her to question her shared identity, and if Paris-Alger (the play that resulted from this 2002 residency) was very interesting, Le Pur Hasard […]<\/p>\n","protected":false},"author":1,"featured_media":1206,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"portfolio_category":[],"portfolio_field":[],"class_list":["post-1448","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","grve-entry-item"],"yoast_head":"\nLe Pur Hasard - Compagnie Nacera Belaza<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/le-pur-hasard\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Pur Hasard - Compagnie Nacera Belaza\" \/>\n<meta property=\"og:description\" content=\"[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1649143744829{padding-bottom: 15px !important;}”]“Nacera Belaza’s new creation, Le Pur Hasard has all the qualities of this young choreographer: rigour, subtlety, concentration. 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