{"id":1720,"date":"2023-06-09T09:28:24","date_gmt":"2023-06-09T07:28:24","guid":{"rendered":"https:\/\/cie-nacerabelaza.com\/portfolio-item\/les-sentinelles-2\/"},"modified":"2024-05-23T13:58:59","modified_gmt":"2024-05-23T11:58:59","slug":"les-sentinelles-2","status":"publish","type":"portfolio","link":"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/les-sentinelles-2\/","title":{"rendered":"Les Sentinelles.2"},"content":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1686295249184{padding-bottom: 15px !important;}”]All along the central building’s parapet walk, at the crest of the walls and fortifications, dozens of guards could be seen, rifles slung over their shoulders, marching methodically up and down, each taking just a few steps. Like the movement of a pendulum, they punctuated the course of time, without breaking the enchantment of this solitude that seemed infinite.<\/em>[\/vc_column_text][vc_column_text css=”.vc_custom_1686295290817{padding-bottom: 32px !important;}”]<\/p>\n

The Desert of the Tartars, Dino Buzzati, trans. Michel Arnaud<\/strong><\/p>\n

[\/vc_column_text][vc_column_text css=”.vc_custom_1686295339434{padding-bottom: 15px !important;}”]A decade later Nacera Belaza is taking up this process, initially imagined as a duo (Les Sentinelles, 2010<\/span><\/a>) giving it a choral dimension. Multiplying the number of performers to stretch time, hollow out space, make emptiness resonate and open up so many receptacles for the spectator’s imagination… For several weeks at the MC93-Bobigny, alongside the professional dancers, Nacera Belaza invites amateurs to take part in this perilous listening exercise.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″ content_width=”custom” horizontal_content_position=”right” column_sticky=”yes” tablet_sm_width=”1″ tablet_sm_content_width=”100″ mobile_content_width=”100″ tablet_sm_horizontal_content_position=”left” mobile_horizontal_content_position=”left” custom_content_width=”370″ column_sticky_offset=”80″]

Artistic team<\/span><\/h3>[vc_column_text css=”.vc_custom_1686295372334{padding-bottom: 32px !important;}”]Choreography, sound and light design<\/strong> Nacera Belaza
\nInterpretation<\/strong> Paulin Banc, Marina Bertoni, Meryem Jazouli, Alison Valence, Oc\u00e9ane Valence, including amatrices, Clarisse Chatillon, Ines Fakhet, Ghita Serraj, Eva Studzinski
\nStage management<\/strong> Christophe Renaud[\/vc_column_text]

Creation<\/strong><\/span><\/h3>[vc_column_text css=”.vc_custom_1702373424948{padding-bottom: 32px !important;}”]MC93 – Bobigny as part of the Rencontres Chor\u00e9graphiques Internationales de Seine-Saint-Denis, 9 and 10 June 2023[\/vc_column_text][\/vc_column][\/vc_row][vc_row section_type=”fullwidth” disable_element=”yes”][vc_column]
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Production<\/span><\/h3>[vc_column_text css=”.vc_custom_1647616568693{padding-bottom: 15px !important;}” text_style=”small-text”]Nacera Belaza Company[\/vc_column_text]

Coproduction<\/span><\/h3>[vc_column_text text_style=”small-text”]MC93 – Maison de la Culture de Seine Saint-Denis
\nL\u2019\u00e9changeur – CDCN – Hauts de France[\/vc_column_text][\/vc_column][vc_column width=”1\/2″]

Support<\/span><\/h3>[vc_column_text css=”.vc_custom_1686295664981{padding-bottom: 15px !important;}” text_style=”small-text”]Fondation d’entreprise Herm\u00e8s as part of the Artistes dans la cit\u00e9<\/em> programme[\/vc_column_text][vc_column_text text_style=”small-text”]\u00a9 Photo<\/strong> Luca Ianelli[\/vc_column_text][\/vc_column][\/vc_row][vc_row rc_heading_color=”white” rc_link_color=”white” rc_link_hover_color=”primary-1″ rc_bg_type=”color” mobile_columns_vertical_gap=”none” rc_bg_color=”#000000″ rc_font_color=”#ffffff”][vc_column][vc_row_inner columns_gap=”none” equal_column_height=”equal” mobile_columns_vertical_gap=”none”][vc_column_inner width=”1\/3″ vertical_content_position=”middle” animation_delay=”200″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283152005“}}”]
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\r\n\t\tPrev.<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text]L’Envol<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/3″ vertical_content_position=”middle” text_align=”center” animation_delay=”300″ grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“border-color“:“#666666“,“border-style“:“solid“,“class“:“grve-wpb-1648283169766“}}”]
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\r\n\t\tAll creations<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[\/vc_column_inner][vc_column_inner width=”1\/3″ vertical_content_position=”middle” text_align=”right” animation_delay=”400″ mobile_text_align=”center” grve_css=”{“desktop“:{“padding-top“:“15“,“padding-right“:“15“,“padding-bottom“:“15“,“padding-left“:“15“,“class“:“grve-wpb-1648283172098“}}”]
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\r\n\t\tNext<\/span>\r\n\t\t\t<\/span>\r\n\t\t\t\t\t\t\t<\/div>\r\n\t<\/a><\/div>[vc_column_text css=””]La Nu\u00e9e<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1686295249184{padding-bottom: 15px !important;}”]All along the central building’s parapet walk, at the crest of the walls and fortifications, dozens of guards could be seen, rifles slung over their shoulders, marching methodically up and down, each taking just a few steps. Like the movement of a pendulum, they punctuated the course […]<\/p>\n","protected":false},"author":1,"featured_media":1719,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"portfolio_category":[],"portfolio_field":[],"class_list":["post-1720","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","grve-entry-item"],"yoast_head":"\nLes Sentinelles.2 - Compagnie Nacera Belaza<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cie-nacerabelaza.com\/en\/portfolio-item\/les-sentinelles-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les Sentinelles.2 - Compagnie Nacera Belaza\" \/>\n<meta property=\"og:description\" content=\"[vc_row padding_top_multiplier=”3x” padding_bottom_multiplier=”3x” tablet_sm_columns_vertical_gap=”60″][vc_column width=”1\/2″ tablet_sm_width=”1″][vc_column_text css=”.vc_custom_1686295249184{padding-bottom: 15px !important;}”]All along the central building’s parapet walk, at the crest of the walls and fortifications, dozens of guards could be seen, rifles slung over their shoulders, marching methodically up and down, each taking just a few steps. 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